This is what the international pavilions seem to be saying, over and over again. If I saw one doomed pavilion, the floor wrenched up, the walls torn down (ever so politely) to reveal the gardens beyond, I saw four.
The entrance to the French pavilion is through the dug-out earth below, sending you back to nature. The Spanish pavilion sends you outside to witness the threatened vegetation beneath spouts of bright acid rain.
In the German pavilion, a toxic brown stain pours down the walls to a thrumming soundtrack of inchoate menace. There are barren rocks everywhere.
President Donald Trump has been cutting funding for the arts in the United States.
But American politics in the Trump era are inspiring artists, including some at the world’s largest art show.